Lasers and Pattern Construction

Developing artworks for laser cutting, the designs had to be drawn and formatted as a stencil to enable the laser to pierce into the fabric, but at the same time still remain in tack as a whole piece of fabric. From my research one design in particular I had digitally drawn a arrangement of cherry blossoms. When constructing images in adobe illustrator the vector colour has to be in a black and white format. Exploring different stencil overlays to get the best results; manipulating the design further by adding sections into the design so it does not fall away entirely from the main piece of fabric, which could be proven to be quite difficult especially if some of the lines in the art were very fine.  From the offset I am aware that laser cutting certain pieces would affect the handle of the fabric, and especially that the construction is based on contouring, so another piece of fabric would have to be placed to stabilize the pattern piece or possibly several layers of fabric.

So far in regards to the underwear construction; creating my own patterns and developing a detailed comprehension on how certain shapes should sculpt the body.  Reflecting to my practice this is something we do naturally, creating and developing shapes to fit the human form. But rather then generating patterns from paper I suppose the traditional method and manipulating the shape via darts to fit precisely on to the form. And also we already know that we can mould other materials around the form in order for it to sit on the body. When we create our patterns we use a series of lines and we alter lines, so consciously or subconsciously we are “mapping” we map out our creative shapes onto the human form.

Close analysis of this theory would be irrelevant for some of the shapes that I have created, because the line has already been manipulated to the fit the body and with out the component of the “Dart” the shape has already been completed. If we was not working with fabric and using a rigid material such as plastic the traditional methods of pattern making would not be sufficient in order for the shape to fit. Segments in the design where the dart is required, the line contour mapping could work in relation to fabric and rigid materials.

#fashion #haute #couture #laser #cutting #patterns #digital #print #vectors #illustration #design #designer #British #japan #anime #cherry #blossom #Tokyo #animation #3D #collection #runway #lace #leather #suede #swaroski

LAZER CUT BUST PANELSCB FLOWER LACE 1ORGANIC CB L2 ILL STAIN GLASS

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Designer Theories

SRI JACKET 4 blog 3Alexander McQueen, one designer in particular that does this extremely and effectively well; he makes fabric come to life, and looking more closely at his works, it is not just what is applied to the fabric. Once a process is done it’s how the fabric is constructed to fit/sit on the form that makes the design remarkable, this was an application that needs to be adopted.  Iris Van Herpen another designer that uses contemporary applications in constructing garments and taking body contouring to all new heights and utilizes new or developed materials.  I have been investigating her laser cutting pieces she creates structures is one, but manipulates the structure to fit the form.

#haute #couture #designers #creative #industry #McQueen #laser #cutting #creativecut

1950’s Underwear & Fantasy Fashion

Research, Sourcing, and Discussions… is all taking place now, investigating deeper in to the 1950’s fashions; what was really apparent in creating the structure of the tree on the body was not achievable via outer garments. That is not to say the certain elements will not be used in the silhouettes.  1950’s underwear would elevate the concept, body contouring and overall construction has to be as close to the body as possible and somewhat engulfing the form to make it believable/achievable.

This questions whether the designs are to be outerwears of clothing or does it? It’s quite ironic how we have underwear and outerwear but certain pieces of underwear you would wear as outerwear also. What makes its suitable to wear it as an outer garment? These were points that’s where raised while coming to the decision of basing the collection on underwear. This expanded my research further in to superheroes/fantasy fashion also. Fantasy, is what would give the garments the overall finish and feel breaking down boundaries in terms of materials other then fabric to produce each design and emulate the true nature of the cherry blossom beauty.

Mentioned previously that innovation was an important factor, but at the same time being aware of the construction and properties of selected applications on certain fabrications. I.e. certain fabrics may not work with the pattern construction.

DESIGN EX 1

Concept Catalyst

Research; the first approach to this was not an easy one, sourcing something that was going to engage me and bring out my creative but yet technical muse. However at the same time establish a “concept” both demiurgic and visually innovative; these are the perimeters that had to be considered. Reflection highlighted pivotal inspirational notes that never left the mind….

“In October a freelancing project came up, the client wanted contemporary/juxatposed pieces of artwork producing for a collection for a fair-trade womenswear brand. Ideas where discussed about how they wanted certain trends to transcend. The oriental trend is coming through on runway ss/18 and the cherry blossom tree would look fantastic on a tailored dress however the tree was to be upside and the roots on the top of the garment a sublimation printed piece; They loved the idea!” (However the client needed to do more research and the brand never launched.)

It’s never left my thoughts that this particular concept could be executed worthier then just a printed piece of artwork on a garment, and something so original and beautiful could have such an impact if approached in the correct tone.

#freelance #designer #companies #creative #industry